0:01:48, 2019
0:00:50, 2017
The animation is based on a photo of a crying balcony, interwoven with scenes of lying down with pets. This is accompanied by very sad music.
0:00:36, 2017
The line from Evil Dead; concerning the eyes of a friend who got turned into an undead and locked in the basement (from which she only stuck out her head - if allowed to), juxtaposed with dead, demonic and ominous gaze of two fried eggs.
Werner Herzog claimed to see vacuity in the eyes of hens and bears - not so much of those animals as of the entire universe. Had he seen egg’s yolk imitating the eyes, would he ask For God’s sake, what happened to her eyes?
0:05:43, 2015
The song and the accompanying found footage video clip. The video features credits of VHS distributors taken from the laptop screen and fragments of animation titled Pojdte pane budeme a hrat (Hey mister, let’s play) directed by Břetislav Pojar and Miroslav Stepanek.
The work is intended to invoke the feeling of being consoled.
Composition, idea and realisation: Bartosz Zaskórski.
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0:01:00, 2020
0:01:48, 2019
0:00:50, 2017
The animation is based on a photo of a crying balcony, interwoven with scenes of lying down with pets. This is accompanied by very sad music.
0:00:36, 2017
The line from Evil Dead; concerning the eyes of a friend who got turned into an undead and locked in the basement (from which she only stuck out her head - if allowed to), juxtaposed with dead, demonic and ominous gaze of two fried eggs.
Werner Herzog claimed to see vacuity in the eyes of hens and bears - not so much of those animals as of the entire universe. Had he seen egg’s yolk imitating the eyes, would he ask For God’s sake, what happened to her eyes?
0:05:43, 2015
The song and the accompanying found footage video clip. The video features credits of VHS distributors taken from the laptop screen and fragments of animation titled Pojdte pane budeme a hrat (Hey mister, let’s play) directed by Břetislav Pojar and Miroslav Stepanek.
The work is intended to invoke the feeling of being consoled.
Composition, idea and realisation: Bartosz Zaskórski.
↑ Back to Top ↑